At the beginning of the year, Katt Williams set the tone for 2024 with an explosive interview that went highly viral. In long rants about the entertainment industry, Williams mentioned several names – including Diddy – while stating that 2024 would be a year of reckoning. A few months later, Diddy’s entire world collapsed. However, as explained in this article, Diddy’s takedown was a “controlled demolition” that ended up protecting the influential people around him who also engaged in sordid activities.
As this year ends, GQ magazine released an article oddly titled Katt Williams: The Man Who Opened the Portal. The photos accompanying the article appear to tell their own story.
Above the mystical-sounding title, Katt is wearing a hooded robe similar to those in occult rituals and ceremonies. While GQ photoshoots often feature “sponsored” clothing, a small note at the bottom of this picture mentions that the clothing is the “subject’s own.” In other words, this is not a fashion shoot – it is a symbolic shoot.
Here, Katt poses in another ceremonial robe that resembles those worn during the rituals of secret societies such as the Freemasons, Rosicrucians, and Knights Templars. Furthermore, he appears to be showing a variation of the Masonic “hidden hand” sign.
Knights Templars often wear robes and headgear adorned with equal-armed crosses and other symbols.
This outfit resembles Masonic attire worn during ceremonies. Every outfit in this photoshoot points to Williams’ status as a high-level initiate in an undisclosed brotherhood. Is this why he was allowed to “open a portal?”
Timothée Chalamet’s movie career has genuinely taken off in the past years. You know what that means: He has to submit to the elite through symbolic pictures. And that’s precisely what he did in a recent Rolling Stone photoshoot.
On the magazine’s cover, Chalamet makes a blatant one-eye sign and a face that says, “Ugh, it’s my turn to do this.”
Chalamet makes another one-eye sign using Bob Dylan’s face. That’s part of the deal. To get big roles and play Bob Dylan in his biopic, he has to participate in this symbolic circus.
Chalamet wears a mask similar to those worn in the elite’s masquerade balls (that often devolve into orgies). On the mask is written “SUCK CESS.” Is it alluding to what a celebrity needs to do to obtain … success?
As usual, the Kardashians and Jenners are doing their best to remain relevant and SUCKcessful. To do so, they must partake in bizarre photoshoots to please their handlers.
In a strange photoshoot, Kim Kardashian posed with a Tesla robot. Her garters and skin-colored bottom gave the shoot a bizarre sexual dimension.
She’s sitting on the robot’s lap. Industry slaves must sit on anything’s lap if they have to.
As we gaze in bewilderment as Kim Kardashian holds a robot’s hand in a romantic matter, we realize that “they” are pushing transhumanism, aka the fusion of robots and humans. Because they think we’re idiots, they’re using sex to make this absurdity seem cool to us peasants.
Meanwhile, Kylie Jenner is also taking part in photoshoots that are perplexing people. In an ad campaign with Amelia Gray, Jenner took some symbolic pics that spurred articles such as “Fans don’t understand Kylie Jenner’s ‘bizarre’ campaign with Amelia Gray, which hints at beastiality and forbidden fruit.”
Jenner poses with Gray, who is wearing a leopard mask. As seen in countless previous articles, this clearly references Sex Kitten programming.
Jenner gets intimate with the leopard, giving beastiality vibes. But this goes deeper than that. This is about sex slaves who are programmed to have no inhibitions, which can lead to beastiality if need be.
Gray and Jenner suggestively take a bite of the proverbial apple – a reference to the fruit offered by Lucifer to Eve in the Garden of Eden. That’s because Sex Kitten programming contains a Satanic element to it.
In the Bible, the “lake of fire” is a place of after-death punishment for the wicked. Consequently, Gray and Jenner are casually chilling in a spa of fire.
Speaking of industry slaves, Lindsay Lohan is one of the most obvious cases of mind control in the entertainment industry. From her bizarre accents to her being “passed around” in elite circles, Lohan displays all of the symptoms of a Monarch slave. And, as usual, this is all confirmed through symbolism.
On the cover of Flaunt, the elite is “flaunting” Lohan’s long-standing status as an MK slave by picturing her with a butterfly on her face. It also creates a one-eye sign, confirming the occult elite nature of the photoshoot.
With one hand, Lohan “presents” a butterfly, indicating that it is not a random bug but a symbol. Her other hand is on her crotch. The combination of the two hands = Monarch sex slave.
Lohan is naked, inside a box (like an object), with butterflies all around her. This is about Monarch programming.
As seen in previous articles, Meghan Fox and Machine Gun Kelly have been engaging in bizarre occult weirdness, including taking part in actual blood rituals. The weirdness will now, unfortunately, include a baby.
Fox recently announced she was pregnant with this maternity picture. She is naked and covered with black goo – a substance that is occultly associated with evil and supernatural forces.
Jaguar released an ad that was ridiculed worldwide. While some wondered if it was a parody of “wokeness,” the ad was serious. Yes, the dumb phrases such as “copy nothing,” the baffling use of androgynous and transgender models as props, and the lack of an actual car were serious. Many wonder what caused this mythical British brand to destroy its entire aura. Well, it’s their turn to show submission to the elite. In the past years, one brand after another had to suffer through a humiliating “ad campaign” that is actually globalist propaganda. It is the cost to stay in business.
In previous articles, I analyzed the seemingly prophetic symbolism of The Economist’s enigmatic end-of-year magazine covers. These covers are significant because the magazine is owned by Bliderberg-attending elite individuals who actually participate in shaping their agenda. As expected, The World Ahead 2025 contains its share of cryptic symbolism.
As usual, The Economist’s cover contains cryptic symbols and predictions. The entire image is made to look like a face, with one eye containing the nuclear symbol while the other looks like the all-seeing eye on the dollar bill. At the top of the face is Saturn – a planet occultly associated with Satan and the ravages of time. Other images include a cracked ballot box (democracy compromised?), a half-filled syringe (vaccines?,) and the prominent figures involved in the Ukraine war. In short, this cover includes all of the elite’s obsessions. Bonus: The text above the image mentions geoengineering – a concept that used to be a “crazy conspiracy theory” not too long ago.
Special thanks to everyone who sent in pics!
