The “game” in season 1 was an emotionally charged structure that made you want to take sides between the opposing political forces. In season 2, Marks says, the game shifts to “unpredictable surprises.”
An important piece in making this change happen is the presence of Ochiba no Kata, played by Fumi Nikaido. “In season 1, the role of the ballerina (Anna Sawai) played an important role and functioned as part of the English-language side of the story. In part 2, Ochiba’s character is placed at the center of the story,” Condou says.
Her role in the story, which is based on Yodo-kun, the wife of Toyotomi Hideyoshi, goes beyond the confines of recreating history. This allows the political dynamics of the women to emerge as the main focus of the story, enhancing the scale of the political drama.
Shogun’s writers and producers also have to deal with issues unique to historical dramas. History buffs, and Japanese viewers in particular, are already familiar with the outcome of the battle of Sekigahara, and any deviation from this point would cause some raised eyebrows.
Still, Marks is confident about the production’s philosophy, which is to treat culture, history, and language as “structure” rather than “material.”
“We welcome fans and history buffs who are familiar with Japanese history. We are telling a fictional story based on real history. You will be amazed at how fact and fiction blend together.”
The preferred approach to making a modern historical drama is the re-editing of history as a story, rather than as a succession of “known facts.” The Shogun production process—where Sanada and other Japanese crew members are intricately involved—ensures the cultural and historical consistency necessary to make that approach work. “Mutual respect between cultures is more important than ever,” Marks says.
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