In the past years, the bizarre relationship between Kanye West and Bianca Censori has been mentioned numerous times on this site because it is, to put it lightly, strange.
To put it less lightly, it displays all of the dynamics of a slave/handler relationship, as Bianca was often made to be exposed, degraded, and humiliated in public and in a ritualistic manner. In every case, Kanye stands in a position of power, often covered from head to toe, accentuating an uncomfortable contrast between the two.
At the 2025 Grammys, Censori removed a black fur coat to stand essentially naked for the cameras, while Kanye stood stoically.
This event and the others led some people to realize some facts about the entertainment industry and even use some “VC vocabulary.” For instance, Elizabeth Chambers called the performance a “humiliation ritual.”
Elizabeth Chambers knows all about the dark side of the entertainment industry. She is the ex-wife of Armie Hammer, who had been displaying an unhealthy obsession with cannibalism and human blood – two symptoms of occult elite sickness.
To fully understand the dynamics at play with Bianca Censori, we need to go back about 10 years.
In 2016, Kanye was forcibly hospitalized and “under doctor’s care” for months. It was later revealed that Kanye was heavily sedated during his “hospitalization” and even suffered memory loss – a byproduct of undergoing electroshock therapy. At this point, a horrific truth became apparent: He underwent a form of mind control programming. Kanye himself stated that he was in the “Sunken Place,” a reference to the dissociative state of the mind-controlled protagonists in the movie Get Out.
Needless to say, Kanye emerged from this ordeal as a changed man – even physically, as he emerged from hospitalization with bleached hair (a telltale sign of MK slaves).
After months of “treatments,” Kanye emerged with bleached hair. The occult elite got to him.
With that being said, here’s a sad truth about MK slaves: They sometimes become MK handlers. And this is what seems to be happening with Kanye. He turned into Bianca Censori’s handler, who is being trained and groomed by the dark side of the industry. Every “controversial” outing is about humiliating and traumatizing her, deleting her dignity and her inhibitions. In other words, Kanye is doing out in the open what MK handlers do behind closed doors.
After dealing with Kanye for a while, Censori appeared in public with short bleached hair. The occult elite got to her.
With all this strangeness, we tend to forget an all-important fact: Bianca Censori is (according to LinkedIn) an architect and a performance artist. Up until very recently, she hasn’t done any architecture or performance art (except standing naked in public places), but this has changed with the release of her new art show.
BIO POP marks the first chapter in a seven-part series unfolding through 2032, with future installments titled CONFESSIONAL, BIANCA IS MY DOLL BABY, STARBABY, BONE OF MY BONE, GENESIS, and BUBBLE.
While the art project was somewhat unexpected, its contents could not be more “on-brand” for Bianca Censori. It is in perfect continuation of her trajectory. To sum it up quickly, it is about an MK slave handling lower-level slaves. Very engrossing stuff.
BIO POP is promoted using two symbolic objects: A pill (used to drug MK slaves) and a mask (used to dehumanize and erase the personality of MK slaves).
One of my favorite activities is to read how “serious” publications attempt to explain art that is clearly about occult elite degeneracy in overly complex and self-aggrandizing terms. According to AD (a prestigious architecture and design publication), BIO POP is “furniture as feminist critique.”
Right.
The article states:
“At her Seoul debut, Bianca Censori stages domestic rituals as performance, turning furniture into a language of obedience, control and simulated identity.”
The themes of obedience, control, and simulated identity are indeed present in the show, but this is not a “feminist critique.” It is a celebration of mind control, more specifically, Monarch programming.
The show stars Censori wearing a reddish latex suit (representing her position of power) along with several slaves wearing flesh-colored latex suits and dehumanizing masks made to look like Bianca (maybe representing her alter personas).
Censori’s performance begins with her standing in a kitchen.
Censori enacts everyday domestic rituals such as pouring tea and whisking liquid in a robotic, absent-minded manner.
Then she wheels a “meal” that appears to be made with the same material as her latex outfit. Is this a nod to cannibalism?
Censori then sits in a dining room where the furniture is made of living, breathing humans in awkward positions.
The art show revolves around one of the occult elite’s favorite concepts: Humans as furniture. It might be one of those cases where mass media is normalizing actual occult elite insanity that happens behind closed doors.
In Squid Game, the elite guests sit around several humans as furniture. There are also lots of feline prints, a reference to Sex Kitten programming.
Another example of “humans as furniture” can be found in the video Sweetest Pie by Meghan Thee Stallion and Dua Lipa. Here, we see women doubling as tables with plastic bags over their heads. Very empowering. Not unlike BIO POP, this video is MK symbolism marketed as “feminism.”
So why is the occult elite obsessed with the absurd idea of humans as furniture? Multiple reasons. First, it says a lot about how they see the masses. Second, it is the ultimate way of objectifying and dehumanizing a person while subjecting them to a form of torture.
For all of these reasons, Bianca Censori’s “art” seeks to make the dark world of human furniture a part of popular culture.
The “chandelier” consists of a woman hanging upside down and her legs forced open.
As many other BIO POP “creations, it is not hard to see how these models are turned into sexual objects. In mind control terms, this is about Sex Kitten programming and the systematic abuse of MK slaves to create trauma and dissociation.
The handler asserts her dominance over the slave by sitting on her back. The slave’s position also implies a “sex object” purpose to this furniture.
Other pieces of furniture appear to exist simply to torture the faceless slaves.
The human component on this table doesn’t even serve any structural function. It is merely “decorative” while subjecting the slave to a position that is bound to be painful after a while.
This girl must be thinking, “WTF am I doing with my life?”
As you might have noticed, the entire display has a very clinical, medical feel, consistent with an MK facility. The theme of cold, painful, and abusive “treatments” is also explored in Censori’s jewelry collection.
On her website, Censori sells cuffs in the shape of a speculum – a medical tool used to open body orifices, notably vaginal and rectal.
A speculum is definitely an odd choice for jewelry. However, it fits perfectly in the recurrent theme of torture, sexual coercion and trauma-based mind control in Censori’s creations.
The next piece makes things even more blatant.
This necklace is made to look like electrodes.
While electrodes are used in some medical procedures, they’re also a staple in Monarch mind control. Indeed, electroshock torture is used to traumatize slaves while causing dissociation and memory loss. Strangely enough, Kanye West is believed to have undergone such treatment during his forced hospitalization. Celebrities love to adorn themselves with symbols of their slavery.
Bianca Censori’s bizarre public appearances with Kanye West forced the world to realize that there’s truth to “conspiracy theories” about the entertainment industry, such as sex slaves and humiliation rituals. After years of humiliation and degradation, she has now “graduated” and can now be a “creator.” However, the core goal remains the same: To normalize the occult elite’s MKULTRA culture and to make it fashionable.
Bianca Censori is the perfect vessel for this task: She is the eighth most Googled person in 2025, she is hypersexualized, and, more importantly, she and her husband are products of the MK system that owns them.
That means she’ll be allowed to be an elite-approved “artist” who will produce shows that celebrate their degeneracy. But don’t be fooled, in the eyes of her owners, Censori remains the equivalent of a human chandelier.
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